What Remains
What Remains explores how perception and memory shape the way we experience the world. Working in black and white, the images reduce scenes to their essential elements—light, form, atmosphere, and gesture—stripping away distraction in order to move closer to the emotional and perceptual core of a moment.
Each photograph begins in observation, yet becomes something less fixed and more interpretive. Memory, expectation, and personal experience alter what is seen, often filling the space between reality and recollection. The resulting images exist somewhere between document and reflection, where meaning is discovered not only in what is present, but in what lingers after the moment has passed.
Photographs are limited edition archival pigment prints on an acid free, 100% cotton rag archival paper.
All artwork is personally printed, signed and numbered with a Certificate of Authenticity.
The Look Returned, 2026
Limited edition of 15 + 1 AP
24 x 32 inches, 15 x 20 inches, image
I was standing unusually close to the pelican when I made this photograph—close enough that the encounter no longer felt observational. Instead of pulling away or ignoring me, the bird remained completely present, holding its gaze with a calm attentiveness that felt almost curious. For several moments, it seemed less like I was photographing the pelican and more like we were simply aware of one another.
What stayed with me afterward was the unexpected sense of exchange within such an ordinary encounter. Removed from its surroundings, the image becomes less about wildlife and more about recognition—the quiet tension that can exist when attention is returned. The photograph reflects on those brief moments when distance collapses and the line between observer and subject feels less certain.
Standing in Motion, 2023
Limited edition of 15 + 1 AP
15 x 20 inches, 24 x 32 inches, image
What first drew me beneath the pier was the tension between the stillness of the pilings and the constant movement surrounding them. As the water shifted around their bases, the vertical forms began to feel less like structures and more like figures—standing together against an endless, unseen force. The longer I watched, the more the scene resembled something familiar and human: a quiet reflection of how we remain upright within the continual movement of time, experience, and change.
The image became less about the pier itself and more about perception—how form can take on emotional meaning through association and memory. What appears fixed and stable is never entirely still. Beneath the surface, everything is being shaped by forces we cannot fully see, held only briefly in the frame before changing again.
Surf, 2025
Limited edition of 15 + 1 AP
24 x 32 inches, 15 x 20 inches, images
Just Beyond, 2026
Limited edition of 15 + 1 AP
24 x 32 inches, 15 x 20 inches, 12 x 16 inches, images
What caught my eye in these scenes of Gramercy Park was the tension between intimacy and separation. The flowers were close enough to see clearly, yet permanently held behind the iron gates surrounding the park. Over time, the fence itself became as important as the garden beyond it—the repeating verticals shaping not only the composition, but the experience of looking.
The images became less about the flowers themselves and more about the psychology of access: how distance, restriction, and desire can alter perception. What exists just beyond reach often takes on a heightened emotional presence, shaped as much by imagination and longing as by reality itself.
In Passing, 2026 (Flatiron, NYC)
Limited edition of 15 + 1 AP
40 x 30 inches, 32 x 24 inches, 20 x 15 inches, image
This moment was not simply about the view of the Flatiron Building, but the way it briefly became part of the life moving around it. I was standing in Madison Square Park, photographing this iconic building in a similar way to my Colliding Views series, when a passerby crossed in front of me. Their shadow aligned almost perfectly over the structure, momentarily transforming this familiar landmark into something more personal and inhabited.
The image became less about architecture alone and more about the relationship between people and place—how cities are continually reshaped by those who move through them. Knowing the building is being reimagined as residential space added another layer for me. A structure once defined by commerce is shifting toward habitation and daily life. That fleeting shadow seemed to echo that transition, bringing a human presence into the center of the frame.
What interests me most is how these overlapping moments alter perception. The photograph exists somewhere between observation and interruption, where permanence and transience briefly occupy the same space.
Into the Light, 2026
Limited edition of 15 + 1 AP
15 x 20 inches, 12 x 16 inches, image
New York pulses this way. One moment the city is crowded with movement and noise, and the next you find yourself unexpectedly alone within it. This image captured one of those brief pauses—a simple gesture we’ve all seen and likely done ourselves, shielding our eyes while moving into the morning light.
What caught my eye was how the scene felt both spontaneous and strangely composed at the same time. Her attire, the emptiness surrounding her, and the familiar gesture gave the moment a timeless quality, almost like something remembered rather than simply observed. The image reflects on how ordinary experiences can become suspended somewhere between memory, perception, and the fleeting rhythm of the city.
Beyond Measure, 2024
Limited edition of 15 + 1 AP
30 x 40 inches, 24 x 32 inches, 15 x 20 inches, 12 x 16 inches, image
Photographed from an unfamiliar perspective, the Washington Monument shifts from recognizable landmark to something more uncertain—an abstract form extending beyond ordinary scale and orientation. What interested me was how the monument seemed to move between permanence and disappearance, emerging from the clouds while simultaneously dissolving into them. The image reflects on how symbols endure not only through their physical presence, but through the meanings and memories projected onto them over time.
Wild Flower, 2026
Limited edition of 15 + 1 AP
30 x 40 inches, 24 x 32 inches, 15 x 20 inches, image
With this moment, the flower isn’t isolated or idealized, it’s entangled, partially obscured, already in transition. It feels less like a portrait and more like a memory trying to hold itself together.
After the Bloom, 2023
Limited edition of 15 + 1 AP
24 x 32 inches, 15 x 20 inches, 12 x 16 inches, image
The Lotus—a reminder that life’s beauty is never fixed. Each stage holds its own quiet grace—from bloom to bare form. The image moves between the organic and the uncanny, where natural pattern begins to feel observational. It invites a moment of unease, questioning whether we are looking at the subject, or being looked back at.
Mirror, 2024
Limited edition of 15 + 1 AP
24 x 32 inches, 15 x 20 inches, 12 x 16 inches, image
Held in the Morning, 2025
Limited edition of 15 + 1 AP
40 x 30 inches, 32 x 24 inches, 20 x 15 inches, image
Sun Unnecessary, 2024
Limited edition of 15 + 1 AP
24 x 32 inches, 15 x 20 inches, 12 x 16 inches, image
I’m drawn to moments when reality and expectation no longer fully align. On this gray afternoon, people still gathered with the shared memory of what a beach day is supposed to feel like: warmth, sunlight, escape, ritual. Even in its absence, that expectation continued to shape the experience. What interested me was how memory and perception seemed to fill the space left by the missing sun, allowing the moment to feel complete despite what was not physically present. The image reflects on how we often experience places not only as they are, but through the accumulated impressions and emotions we carry into them.
Pier 15, 2024
Limited edition of 15 + 1 AP
24 x 32 inches, 15 x 20 inches, 12 x 16 inches, image
Cloud, 2024
Limited edition of 15 + 1 AP
24 x 32 inches, 15 x 20 inches, 12 x 16 inches, image
Waiting for their Moment, 2025
Limited edition of 15 + 1 AP
24 x 32 inches, 15 x 20 inches, 12 x 16 inches, image
Black and White, 2022
Limited edition of 15 + 1 AP
24 x 32 inches, 15 x 20 inches, 12 x 16 inches, image
Enter, 2025
Limited edition of 15 + 1 AP
32 x 24 inches, 20 x 15 inches, 16 x 12 inches, image